A weekly box office series, in beta, to see if we like. To remind you that you're here and not elsewhere and we can't just do things normally, we'll come at it from weird angles when we can.

Jeff Bridges stars in TRON GRIT

1. Little Fockers $30 NEW
2. True Grit $24.8 NEW
3. Tron Legacy $19.5 (cumulative: $87.3)
4. The Chronicles of Narnia: The Voyage of the Dawn Treader $9.4 (cumulative: $62.5)
5. Yogi Bear $7.8 (cumulative: $35.8)
6. The Fighter $7.6 (cumulative: $26.6)
7. Tangled $6.4 (cumulative: $143.6)
8. Gulliver's Travel $6.3 NEW 
9. Black Swan $6.2 (cumulative: $28.6)
10. The Tourist $5.4 (cumulative: $40.8)
11. The King's Speech $4.4 (cumulative: $8.3)
12. How Do You Know $3.5 (cumulative: $15)

With Little Fockers and True Grit topping the charts and we experience an unexpected flashback. Bridges & Babs haven't dipped into the top box office together since The Mirror Has Two Faces (1996). And this time Jeff is double-dipping.

♪ this is it... OHHHH i finally found someone... someone to share my life ♪♫

The first thing to note is that Jeff Bridges is hogging the higher altitudes of the chart as both True Grit's grizzled Rooster Cogburn and the god/father figure for Garret Hedlund (and cross-generational computer geeks) in Tron Legacy. I haven't seen the latter picture but it's good to see Bridges back in sleeker form again after those last two sloshed rundown beer-bellied men in Grit and Crazy Heart. The new old western is is now the Coen Bros' best opening narrowly beating Burn After Reading (2008) which, had almost exactly the same budget but more stars to sell itself with. No Country For Old Men (2007) is their highest grosser though. Will Grit surpass it?

art by Daniel Foez

Couple other things.

• You'd think the Narnia series would die as its box office descends with each film but it's still popular globally and the budget on this one dropped considerably. Does it show?
• Christmas was the first wide weekend for The King's Speech, arguably the only major film relying entirely on Oscar buzz to sell tickets. (You can't really count the films that have barely even tried to open and they are unfortunately many.)
• Tangled is holding well, despite losing some theaters to Christmas fare, demonstrating long legs to accessorize that golden hair. It'll need them. For some reason it cost $260 to make -- which is at quite a bit more expensive than the three animated films which have outgrossed it this year. Was it the frequent retooling that made it that expensive? It'll presumably be awhile before profits once you factor in marketing costs.

Speaking of animated fairytales... Does anyone else remember The Last Unicorn? Is that even on DVD? Here's Jeff Bridges (as the charming Prince) serenading/romancing Mia Farrow (the unicorn)



 It's not some sick interspecies romance because somehow she's a beautiful woman and not just a unicorn. No, I don't remember the story at all.

Three questions to send you on your way: 

1. The Mirror Has Two Faces? Go. (even if you haven't seen it you MUST read this awesome review of it by Glenn at Stale Popcorn. It's laugh out loud funny)
2. Aren't you glad Jeff's musical talents improved before The Fabulous Baker Boys and Crazy Heart?
3. What did you see over Christmas?

Barbra Streisand

animation· Babs· box office· Jeff Bridges· Rapunzel· Tron· True Grit

Box Office Blather: Jeff Bridges Double Dips

A weekly box office series, in beta, to see if we like. To remind you that you're here and not elsewhere and we can't just do things normally, we'll come at it from weird angles when we can.

Jeff Bridges stars in TRON GRIT

1. Little Fockers $30 NEW
2. True Grit $24.8 NEW
3. Tron Legacy $19.5 (cumulative: $87.3)
4. The Chronicles of Narnia: The Voyage of the Dawn Treader $9.4 (cumulative: $62.5)
5. Yogi Bear $7.8 (cumulative: $35.8)
6. The Fighter $7.6 (cumulative: $26.6)
7. Tangled $6.4 (cumulative: $143.6)
8. Gulliver's Travel $6.3 NEW 
9. Black Swan $6.2 (cumulative: $28.6)
10. The Tourist $5.4 (cumulative: $40.8)
11. The King's Speech $4.4 (cumulative: $8.3)
12. How Do You Know $3.5 (cumulative: $15)

With Little Fockers and True Grit topping the charts and we experience an unexpected flashback. Bridges & Babs haven't dipped into the top box office together since The Mirror Has Two Faces (1996). And this time Jeff is double-dipping.

♪ this is it... OHHHH i finally found someone... someone to share my life ♪♫

The first thing to note is that Jeff Bridges is hogging the higher altitudes of the chart as both True Grit's grizzled Rooster Cogburn and the god/father figure for Garret Hedlund (and cross-generational computer geeks) in Tron Legacy. I haven't seen the latter picture but it's good to see Bridges back in sleeker form again after those last two sloshed rundown beer-bellied men in Grit and Crazy Heart. The new old western is is now the Coen Bros' best opening narrowly beating Burn After Reading (2008) which, had almost exactly the same budget but more stars to sell itself with. No Country For Old Men (2007) is their highest grosser though. Will Grit surpass it?

art by Daniel Foez

Couple other things.

• You'd think the Narnia series would die as its box office descends with each film but it's still popular globally and the budget on this one dropped considerably. Does it show?
• Christmas was the first wide weekend for The King's Speech, arguably the only major film relying entirely on Oscar buzz to sell tickets. (You can't really count the films that have barely even tried to open and they are unfortunately many.)
• Tangled is holding well, despite losing some theaters to Christmas fare, demonstrating long legs to accessorize that golden hair. It'll need them. For some reason it cost $260 to make -- which is at quite a bit more expensive than the three animated films which have outgrossed it this year. Was it the frequent retooling that made it that expensive? It'll presumably be awhile before profits once you factor in marketing costs.

Speaking of animated fairytales... Does anyone else remember The Last Unicorn? Is that even on DVD? Here's Jeff Bridges (as the charming Prince) serenading/romancing Mia Farrow (the unicorn)



 It's not some sick interspecies romance because somehow she's a beautiful woman and not just a unicorn. No, I don't remember the story at all.

Three questions to send you on your way: 

1. The Mirror Has Two Faces? Go. (even if you haven't seen it you MUST read this awesome review of it by Glenn at Stale Popcorn. It's laugh out loud funny)
2. Aren't you glad Jeff's musical talents improved before The Fabulous Baker Boys and Crazy Heart?
3. What did you see over Christmas?

Barbra Streisand

[COME SEE THE NEW BLOG]

Let's talk about the best FYC campaign of the year. The one where Pixar tries to build a case for Toy Story 3 as the Best Picture of the year, not just a nominee. Pixar won't be happy to just get the annual ghetto Oscar for Animated Feature, they want the big one. Do you believe this is possible? I can't say that I do...

Or, rather, it's possible but not bloody likely. A good correlation might be the foreign language film category. They also have their own category and very few have ever been nominated for Best Picture and none have won (the closest to a "foreign" winner is Slumdog Millionaire which is technically a British film but is partially in Hindi).

But let's look at the ads themselves, from worst to best, which use "Not since _____ " to compare TS3 to previous Best Picture winners.

Here's the two I find most problematic. I can't think, other than gender, how Jesse connects to Annie Hall (1977)? From body language to clothing, speaking patterns to personality, Jessie and Annie couldn't be any more different. And I can't see the connection in the photo either. The "Not since Titanic" ad is gorgeously composed but...



...it seems rather tasteless to equate toys in the garbage dump to the who died at sea when the Titanic sunk.

I've heard the argument that it's okay to compare TS3 to the cheese-tastic epic that is Titanic and I heartily agree on that point. Both films are highly entertaining adventures. But the ad still screams "people who drowned!" only these toys don't actually die. Spoiler! TS3 is a lovely funny movie but it gets credit for really weird things, like for this scene which 'bravely confronts mortality'. The American animated film hasn't confronted death very often at all; it's a downer. Outside of Bambi and Up, when does it ever happen? Oh, sure, the villains die (usually accidentally or via a third party so that the hero/heroine isn't guilty of murder or manslaughter) but the audience is expected to cheer; it's not far removed from a knockout in a boxing movie. Characters regularly cheat death in animated films (by miracles, magical tears, kisses, luck, etcetera) but surviving the swing of the grim reaper's scythe is not the same thing as facing mortality. It's the opposite.

These two, referencing Slumdog Millionaire (2008) and The French Connection (1971) are a smidgeon better but the connections... The atonal torture stuff in Slumdog is not something to remind us of (worst part of that movie) and I'm blanking on the telephone thing. When we think of The French Connection, don't we think of car chases?  When I see the words French Connection and a big phone, I think immediately of Gene Hackman and so the phone makes me think of all those recording devices in The Conversation but that didn't win Best Picture. Still, it's one of the best films of the 70s which is saying a lot.

These are cuter. American Beauty (1999) uses American icon Barbie. And we readily forgive the literal toilet humor of this On The Waterfront (1954) gag because Pixar is one of the rare animated studios that doesn't regular subject us to that kind of desperate humor. And Woody spinning on that toilet roll was a really funny bit of slapstick.

The Platoon connection is obvious but the simplicity of the image is great and I think those anonymous green soldiers are insufficiently honored in discussions of the Toy Story movies. They're almost as great as the linking red monkeys. The Rocky (1976) joke is even better because it's not an exact parallel but it's the last man standing in the ring.

And from this point forward they're all brilliant. Big Baby and Lotso subbing for Clark Gable and Charles Naughton in Mutiny on the Bounty (1935). Love it. And not just because I think the movie is totally underrated. This bit using "Not since... The Sting " (1973) is just so smart. Pixar movies have such great camera angles. They do always shoot them like classic movies inside those computers.

UPDATE 12/28: Oopsie, I missed this Silence of the Lambs (1991) spoof when I posted this. Or perhaps it's new. Sick humor -wheeeee -- but isn't the Mr Potatohead tortilla gag the most memorably weird image in the movie?

Love the bold color and compositions of The Godfather Part II (1974) and Return of the King (2003) ads. The RoTK ad is especially choice because it's such a beautiful twin, visually, of such an indelible moment in another famous threequel.

And finally, my choice for the two best ads which use Shakespeare in Love (1999) and The Sound of Music (1965) so fondly. Who didn't love discovering the thespian tendencies of Mr Pricklepants and to imagine him getting another big Shakespearean moment? Heaven.

Finally, we have Ken as one of the Von Trapp children. I'm bravely confronting mortality because I just died and went to heaven.

Adieu adieu to you and you and you ♪ ♫ 

[COME SEE THE NEW BLOG]

*
*

animation· Oscars (10)· The Conversation· The Sound of Music· Toy Story

Toy Story 3's Brilliant Oscar Campaign

[COME SEE THE NEW BLOG]

Let's talk about the best FYC campaign of the year. The one where Pixar tries to build a case for Toy Story 3 as the Best Picture of the year, not just a nominee. Pixar won't be happy to just get the annual ghetto Oscar for Animated Feature, they want the big one. Do you believe this is possible? I can't say that I do...

Or, rather, it's possible but not bloody likely. A good correlation might be the foreign language film category. They also have their own category and very few have ever been nominated for Best Picture and none have won (the closest to a "foreign" winner is Slumdog Millionaire which is technically a British film but is partially in Hindi).

But let's look at the ads themselves, from worst to best, which use "Not since _____ " to compare TS3 to previous Best Picture winners.

Here's the two I find most problematic. I can't think, other than gender, how Jesse connects to Annie Hall (1977)? From body language to clothing, speaking patterns to personality, Jessie and Annie couldn't be any more different. And I can't see the connection in the photo either. The "Not since Titanic" ad is gorgeously composed but...



...it seems rather tasteless to equate toys in the garbage dump to the who died at sea when the Titanic sunk.

I've heard the argument that it's okay to compare TS3 to the cheese-tastic epic that is Titanic and I heartily agree on that point. Both films are highly entertaining adventures. But the ad still screams "people who drowned!" only these toys don't actually die. Spoiler! TS3 is a lovely funny movie but it gets credit for really weird things, like for this scene which 'bravely confronts mortality'. The American animated film hasn't confronted death very often at all; it's a downer. Outside of Bambi and Up, when does it ever happen? Oh, sure, the villains die (usually accidentally or via a third party so that the hero/heroine isn't guilty of murder or manslaughter) but the audience is expected to cheer; it's not far removed from a knockout in a boxing movie. Characters regularly cheat death in animated films (by miracles, magical tears, kisses, luck, etcetera) but surviving the swing of the grim reaper's scythe is not the same thing as facing mortality. It's the opposite.

These two, referencing Slumdog Millionaire (2008) and The French Connection (1971) are a smidgeon better but the connections... The atonal torture stuff in Slumdog is not something to remind us of (worst part of that movie) and I'm blanking on the telephone thing. When we think of The French Connection, don't we think of car chases?  When I see the words French Connection and a big phone, I think immediately of Gene Hackman and so the phone makes me think of all those recording devices in The Conversation but that didn't win Best Picture. Still, it's one of the best films of the 70s which is saying a lot.

These are cuter. American Beauty (1999) uses American icon Barbie. And we readily forgive the literal toilet humor of this On The Waterfront (1954) gag because Pixar is one of the rare animated studios that doesn't regular subject us to that kind of desperate humor. And Woody spinning on that toilet roll was a really funny bit of slapstick.

The Platoon connection is obvious but the simplicity of the image is great and I think those anonymous green soldiers are insufficiently honored in discussions of the Toy Story movies. They're almost as great as the linking red monkeys. The Rocky (1976) joke is even better because it's not an exact parallel but it's the last man standing in the ring.

And from this point forward they're all brilliant. Big Baby and Lotso subbing for Clark Gable and Charles Naughton in Mutiny on the Bounty (1935). Love it. And not just because I think the movie is totally underrated. This bit using "Not since... The Sting " (1973) is just so smart. Pixar movies have such great camera angles. They do always shoot them like classic movies inside those computers.

UPDATE 12/28: Oopsie, I missed this Silence of the Lambs (1991) spoof when I posted this. Or perhaps it's new. Sick humor -wheeeee -- but isn't the Mr Potatohead tortilla gag the most memorably weird image in the movie?

Love the bold color and compositions of The Godfather Part II (1974) and Return of the King (2003) ads. The RoTK ad is especially choice because it's such a beautiful twin, visually, of such an indelible moment in another famous threequel.

And finally, my choice for the two best ads which use Shakespeare in Love (1999) and The Sound of Music (1965) so fondly. Who didn't love discovering the thespian tendencies of Mr Pricklepants and to imagine him getting another big Shakespearean moment? Heaven.

Finally, we have Ken as one of the Von Trapp children. I'm bravely confronting mortality because I just died and went to heaven.

Adieu adieu to you and you and you ♪ ♫ 

[COME SEE THE NEW BLOG]

*
*

41 Songs were declared eligible for Oscar's least cinematically relevant prize a short while ago. Wheeee!

We only didn't share them yesterday because every single damn thing happens in the same week. I'd be more excited about this category if recent years hadn't seen the big show trending away from original performers singing their original songs. If I can't see Cher doing her Burlesque number(s) on Oscar night, someone is going down.

The Academy will choose up to 5 of these songs as nominees, depending on how their voting goes. I've included video accompaniment when available - listen (and watch up).



 Which are you rooting for?

Please god no. No more honors for this eyesore movie.

"Alice" from Alice in Wonderland

"Forever One Love" from Black Tulip 

"Freedom Song" from Black Tulip

 oooh, now this is more like it. Sadly, it's only a partial video.

"Welcome to Burlesque" from Burlesque

 

a Burlesque suite.

"Bound to You" from Burlesque 

"You Haven‘t Seen the Last of Me" from Burlesque

Despical Meusic Videos from Narnia

"There‘s a Place for Us" from The Chronicles of Narnia: The Voyage of the Dawn Treader

"Despicable Me" from Despicable Me 

"Coming Home" from Country Strong 

"Me and Tennessee" from Country Strong
Country Strong has a YouTube channel but neither of their eligible songs are featured. Weirdness.
"Prettiest Girls" from Despicable Me

 

Jeg ♥ Sondre Lerche and not just because he's Norwegian, kjenner du.

"Dear Laughing Doubters" from Dinner for Schmucks

eat pray love & going the distance.

"Better Days" from Eat Pray Love 

"If You Run" from Going the Distance

demo version of Holy Rollers end credits and live Jónsi perf.

"Darkness before the Dawn" from Holy Rollers

"Sticks & Stones" from How to Train Your Dragon

There's no mistaking Bill Plympton's animated films for anyone else's

"Le Gris" from Idiots and Angels
 "Chanson Illusionist" from The Illusionist

God clearly hates me that I am forced to share that music video (to your left)

"Never Say Never" from The Karate Kid 

"To the Sky" from Legend of the Guardians: The Owls of Ga‘Hoole

"What If" from Letters to Juliet

"Life during Wartime" from Life during Wartime

"Made in Dagenham" from Made in Dagenham (couldn't find a vid but here's a sample)

"Little One" from Mother and Child (no vid but sample - pretty song)

"Be the One" from The Next Three Days (no video -- why not Moby? You used to make good ones -- but here's the song)

"If I Rise" from 127 Hours (song)

"When You See Forever" from The Perfect Game

"I Remain" from Prince of Persia: The Sands of Time (no Alanis video but here's the song)

"Dream Big" from Pure Country 2: The Gift

"How I Love You" from Ramona and Beezus (no vid but here's the song)

Remember Landon Pigg from Whip It? His punishment for treating Ellen Page like crap is singing a Shrek song.

"Darling I Do" from Shrek Forever After

"Noka Oi" from Six Days in Paradise (no video but here's the song)

"This Is a Low" from Tamara Drewe 

"Rise" from 3 Billion and Counting

Two likely nominees from animated hits.

"I See The Light" from Tangled
"We Belong Together" from Toy Story 3

"Eclipse: All Yours" from The Twilight Saga: Eclipse (it's not embeddable which saves me from having to promote Twilight. Yay.)

I'm still kinda pissed that Justin Timberlake survived but Janet Jackson's career was demolished. Just sayin'

"Nothing" from Tyler Perry‘s Why Did I Get Married Too 

"A Better Life" from Unbeaten 

"Shine" from Waiting for 'Superman‘

"The Reasons Why" from Wretches & Jabberers (here's the song)

Name your preferred five songs in the comments. Or maybe you think they should just dump this category all together?
*

animation· Burlesque· Cher· Janet Jackson· Oscars (10)· Rapunzel

There Are 41 Songs (& Vids). There Is Only 1 CHER.

41 Songs were declared eligible for Oscar's least cinematically relevant prize a short while ago. Wheeee!

We only didn't share them yesterday because every single damn thing happens in the same week. I'd be more excited about this category if recent years hadn't seen the big show trending away from original performers singing their original songs. If I can't see Cher doing her Burlesque number(s) on Oscar night, someone is going down.

The Academy will choose up to 5 of these songs as nominees, depending on how their voting goes. I've included video accompaniment when available - listen (and watch up).



 Which are you rooting for?

Please god no. No more honors for this eyesore movie.

"Alice" from Alice in Wonderland

"Forever One Love" from Black Tulip 

"Freedom Song" from Black Tulip

 oooh, now this is more like it. Sadly, it's only a partial video.

"Welcome to Burlesque" from Burlesque

 

a Burlesque suite.

"Bound to You" from Burlesque 

"You Haven‘t Seen the Last of Me" from Burlesque

Despical Meusic Videos from Narnia

"There‘s a Place for Us" from The Chronicles of Narnia: The Voyage of the Dawn Treader

"Despicable Me" from Despicable Me 

"Coming Home" from Country Strong 

"Me and Tennessee" from Country Strong
Country Strong has a YouTube channel but neither of their eligible songs are featured. Weirdness.
"Prettiest Girls" from Despicable Me

 

Jeg ♥ Sondre Lerche and not just because he's Norwegian, kjenner du.

"Dear Laughing Doubters" from Dinner for Schmucks

eat pray love & going the distance.

"Better Days" from Eat Pray Love 

"If You Run" from Going the Distance

demo version of Holy Rollers end credits and live Jónsi perf.

"Darkness before the Dawn" from Holy Rollers

"Sticks & Stones" from How to Train Your Dragon

There's no mistaking Bill Plympton's animated films for anyone else's

"Le Gris" from Idiots and Angels
 "Chanson Illusionist" from The Illusionist

God clearly hates me that I am forced to share that music video (to your left)

"Never Say Never" from The Karate Kid 

"To the Sky" from Legend of the Guardians: The Owls of Ga‘Hoole

"What If" from Letters to Juliet

"Life during Wartime" from Life during Wartime

"Made in Dagenham" from Made in Dagenham (couldn't find a vid but here's a sample)

"Little One" from Mother and Child (no vid but sample - pretty song)

"Be the One" from The Next Three Days (no video -- why not Moby? You used to make good ones -- but here's the song)

"If I Rise" from 127 Hours (song)

"When You See Forever" from The Perfect Game

"I Remain" from Prince of Persia: The Sands of Time (no Alanis video but here's the song)

"Dream Big" from Pure Country 2: The Gift

"How I Love You" from Ramona and Beezus (no vid but here's the song)

Remember Landon Pigg from Whip It? His punishment for treating Ellen Page like crap is singing a Shrek song.

"Darling I Do" from Shrek Forever After

"Noka Oi" from Six Days in Paradise (no video but here's the song)

"This Is a Low" from Tamara Drewe 

"Rise" from 3 Billion and Counting

Two likely nominees from animated hits.

"I See The Light" from Tangled
"We Belong Together" from Toy Story 3

"Eclipse: All Yours" from The Twilight Saga: Eclipse (it's not embeddable which saves me from having to promote Twilight. Yay.)

I'm still kinda pissed that Justin Timberlake survived but Janet Jackson's career was demolished. Just sayin'

"Nothing" from Tyler Perry‘s Why Did I Get Married Too 

"A Better Life" from Unbeaten 

"Shine" from Waiting for 'Superman‘

"The Reasons Why" from Wretches & Jabberers (here's the song)

Name your preferred five songs in the comments. Or maybe you think they should just dump this category all together?
*

The Fighter
In Contention Sports Illustrated names The Fighter "the best sports movie of the decade." I guess they're using that 2001-2010 definition. Hate that. I like to end with the 9s.
Low Resolution Speaking of The Fighter. Check out Joe Reid's awesome post "The Art of the Skank"


Cartoons
Milo oh, this is lovely. Toy Story 3 by the numbers. Tons of infographic pleasure... if thinking about how bank accounts of Pixar executives gives you pleasure that is.
The Exploding Kinetoscope FYC: Arguments for the Extermination of the Human Race. (Wow, someone hates Shrek even more than I do!)
EW Inside Movies Anne Hathaway knows her awards history. Texts Jake Gyllenhaal on his first Golden Globe nom. (Even I had forgotten that he wasn't nominated there for Brokeback)
Blog Next Door What the Disney villains teach us.

Mackie & Washington. Yay.

Randomness
Invisible Woman asks you to see Night Catches Us starring Kerry Washington and Anthony Mackie. We plan to, yes we do. Soon.
popbytes Oprah Winfrey must be stopped; Hugh Jackman injured
Salon "Why is Disney hiding the original Tron?"
Little Gold Men the Coen Bros talk to Vanity Fair about True Grit

The Social Network
Remember when everyone was writing about that movie nonstop? It's happening again. Scanners does a comparison with Carlos, another richly layered movie winning critics prizes, and Nick at Nick's Flick Picks has shared ten intriguing thoughts in two parts.The Toronto Film Critics Association just gave it another "best of the year" citation.

Year in Review
Vulture "25 Best Performances That Won't Win Oscars" from Tom Hardy (Inception) to Alexander Siddig (Cairo Time). It's a great list overall but totally spoiled by two little girls, one of whom was genuinely great in another movie this year, so why not make it that one (Yes, Mia Wasikowska's The Kids Are All Right performance is > Alice In Wonderland times 1,000,000)
Twitter "The 10 Most Powerful Tweets of 2010" from Haiti relief to Conan O'Brien half-assed
10 Best and 10 Worst from one of our favorite critics Tim Robey at the Telegraph.

Finally... 

Remember way way back (ok, only two years ago) when I invited you to the wedding of "Boobs & Abs". They've split. Yes, The Green Lantern and The Black Widow are divorcing.  Speaking of Scarlett Johannson, Jon Favreau is leaving the Iron Man franchise. Given that ScarJo's performances feel more listless than ever these last few years, how about Sofia Coppola for Iron Man 3's directors chair. Maybe the fanboys wouldn't appreciate it but at least they'd get some great shots of Black Widow's ass. Plus that f/x related scene in Coppola's Somewhere, with Stephen Dorff interminably stuck in the makeup chair, is one of the best moments in that inside Hollywood movie.

animation· Iron Man· Kerry Washington· Ryan Reynolds· ScarJo· Shrek· Social Network· The Fighter· Toy Story

Link Catches Us (As We Catch Up)

The Fighter
In Contention Sports Illustrated names The Fighter "the best sports movie of the decade." I guess they're using that 2001-2010 definition. Hate that. I like to end with the 9s.
Low Resolution Speaking of The Fighter. Check out Joe Reid's awesome post "The Art of the Skank"


Cartoons
Milo oh, this is lovely. Toy Story 3 by the numbers. Tons of infographic pleasure... if thinking about how bank accounts of Pixar executives gives you pleasure that is.
The Exploding Kinetoscope FYC: Arguments for the Extermination of the Human Race. (Wow, someone hates Shrek even more than I do!)
EW Inside Movies Anne Hathaway knows her awards history. Texts Jake Gyllenhaal on his first Golden Globe nom. (Even I had forgotten that he wasn't nominated there for Brokeback)
Blog Next Door What the Disney villains teach us.

Mackie & Washington. Yay.

Randomness
Invisible Woman asks you to see Night Catches Us starring Kerry Washington and Anthony Mackie. We plan to, yes we do. Soon.
popbytes Oprah Winfrey must be stopped; Hugh Jackman injured
Salon "Why is Disney hiding the original Tron?"
Little Gold Men the Coen Bros talk to Vanity Fair about True Grit

The Social Network
Remember when everyone was writing about that movie nonstop? It's happening again. Scanners does a comparison with Carlos, another richly layered movie winning critics prizes, and Nick at Nick's Flick Picks has shared ten intriguing thoughts in two parts.The Toronto Film Critics Association just gave it another "best of the year" citation.

Year in Review
Vulture "25 Best Performances That Won't Win Oscars" from Tom Hardy (Inception) to Alexander Siddig (Cairo Time). It's a great list overall but totally spoiled by two little girls, one of whom was genuinely great in another movie this year, so why not make it that one (Yes, Mia Wasikowska's The Kids Are All Right performance is > Alice In Wonderland times 1,000,000)
Twitter "The 10 Most Powerful Tweets of 2010" from Haiti relief to Conan O'Brien half-assed
10 Best and 10 Worst from one of our favorite critics Tim Robey at the Telegraph.

Finally... 

Remember way way back (ok, only two years ago) when I invited you to the wedding of "Boobs & Abs". They've split. Yes, The Green Lantern and The Black Widow are divorcing.  Speaking of Scarlett Johannson, Jon Favreau is leaving the Iron Man franchise. Given that ScarJo's performances feel more listless than ever these last few years, how about Sofia Coppola for Iron Man 3's directors chair. Maybe the fanboys wouldn't appreciate it but at least they'd get some great shots of Black Widow's ass. Plus that f/x related scene in Coppola's Somewhere, with Stephen Dorff interminably stuck in the makeup chair, is one of the best moments in that inside Hollywood movie.

!!!

I expect this won't stay on YouTube for long so watch it now. [hat tip]

animation· The Assassination of Jesse James

The Assassination of Yogi Bear By The Coward Boo Boo

!!!

I expect this won't stay on YouTube for long so watch it now. [hat tip]

Noupe interesting overview of current movie poster design trends.
Black Book interviews the lovely Farran of 'Self Styled Siren' on classic movie blogging.
Go Fug Yourself "Unfug or Fab" catches up with Nicole Kidman & Keith Urban-Kidman.
Cinema Blend Emma Stone gone blonde for Spider-Man's "Gwen Stacy".
Back Stage Blog Stage Rob Reiner wants to make the stage musical Next to Normal into a movie. He wants this badly.
Low Resolution makes a case for an undersung Twilight player Jackson Rathbone. Wait, what? "It's seriously that shallow of a post. I can't defend it." Hee.
Pussy Goes Grrr looks back at Pedro Almodóvar's Matador and King Vidor's Duel in the Sun.

Oscar buzz Cinema Blend Winter's Bone collected two more trophies at the Torino Fest. It's all about the little wins.
New York Mag Speaking of that Ozarks drama. It tops David Edelstein's top ten for the year though he gives over 36% of the list to documentaries. You know, I liked Winter's Bone a lot (bullseye B+) but I admit that I don't quite get how it's winning "#1s" in so many places. Was no one else bothered, for example, by how pristine white that banjo is at the end? It's as if it had just been picked up from the store brand new at top price. Nitpickers unite!

The Hollywood Reporter 5 films nominated for Best Movie at the Annies (for animation): Tangled, The Illusionist, Toy Story 3, Despicable Me and How to Train Your Dragon. Of course two of them will have to go at the Oscars since there'll be only 3 nominees (my predictions). You may remember that Disney and Pixar dropped their support of the Annie awards this summer over disagreements on the way films were honored and the makeup of the nominating body which is said to be highly populated by Dreamworks employees.

 Disney/Pixar got their Annie nominations in the top categories, but not elsewhere. For instance, the "Best Character Animation" category is entirely Dreamworks and "Animated Effects" is 80% Dreamworks. I worry that the Dreamworks-bias of the Annies will end up reflecting badly on any potential wins How to Train Your Dragon receives which is a real shame as it's such a worthy feature.


TV.
Parabasis looks back on Season 1 Buffy, and the balance between stand-alone vs. serial stories.
blastr Frank Darabont fires the writing staff of The Walking Dead. Weird way to celebrate the first season of a huge hit, right? (Not that I think it's very well written what with the paucity of interesting characters.)

Have you seen this making of preview of HBO's Game of Thrones? As stated before, I think it's an ideal property for television as it's so sprawling in scope, longform in plotting and character development and ensemble driven in every way. But I still worry about the sets, costumes and the budget.



I have a real problem with wigs in fantasy movies. Must get over that. They distract me. It's the Storm in X-Men problem. I'm supposed to be seeing hair and I see wig. Gemma Jackson is the production designer (Oscar nominated for Finding Neverland). The costume designer is Michele Clapton who hasn't done anything on this scale previously though she's worked on recent UK television events like The Diary of Anne Frank and The Devil's Whore.

Swan dive? Finally, there seems to be a small but growing contingent of people who are not as impressed with Black Swan as the rest. Will they be burned at the stake in our internet film culture which doesn't value actual discussion so much as the dogpiling of raves and pans as if there is only ever one opinion worth having on any movie? Here are three thoughtful non-rave reviews worth discussing from Bryant Frazer, Nick Davis, Kenneth Turan and Timothy Brayton all of which fall into the "It has it's moments but..." category.

If you'd like more "!!!" instead, since most seem to be feeling that way, try the recent raves from His Eyes Were Watching Movies and Serious Film.

animation· Black Swan· Game of Thrones· How to Train Your Dragon· marketing· Nicole Kidman· Winter's Bone

Links. Episode #∞

Noupe interesting overview of current movie poster design trends.
Black Book interviews the lovely Farran of 'Self Styled Siren' on classic movie blogging.
Go Fug Yourself "Unfug or Fab" catches up with Nicole Kidman & Keith Urban-Kidman.
Cinema Blend Emma Stone gone blonde for Spider-Man's "Gwen Stacy".
Back Stage Blog Stage Rob Reiner wants to make the stage musical Next to Normal into a movie. He wants this badly.
Low Resolution makes a case for an undersung Twilight player Jackson Rathbone. Wait, what? "It's seriously that shallow of a post. I can't defend it." Hee.
Pussy Goes Grrr looks back at Pedro Almodóvar's Matador and King Vidor's Duel in the Sun.

Oscar buzz Cinema Blend Winter's Bone collected two more trophies at the Torino Fest. It's all about the little wins.
New York Mag Speaking of that Ozarks drama. It tops David Edelstein's top ten for the year though he gives over 36% of the list to documentaries. You know, I liked Winter's Bone a lot (bullseye B+) but I admit that I don't quite get how it's winning "#1s" in so many places. Was no one else bothered, for example, by how pristine white that banjo is at the end? It's as if it had just been picked up from the store brand new at top price. Nitpickers unite!

The Hollywood Reporter 5 films nominated for Best Movie at the Annies (for animation): Tangled, The Illusionist, Toy Story 3, Despicable Me and How to Train Your Dragon. Of course two of them will have to go at the Oscars since there'll be only 3 nominees (my predictions). You may remember that Disney and Pixar dropped their support of the Annie awards this summer over disagreements on the way films were honored and the makeup of the nominating body which is said to be highly populated by Dreamworks employees.

 Disney/Pixar got their Annie nominations in the top categories, but not elsewhere. For instance, the "Best Character Animation" category is entirely Dreamworks and "Animated Effects" is 80% Dreamworks. I worry that the Dreamworks-bias of the Annies will end up reflecting badly on any potential wins How to Train Your Dragon receives which is a real shame as it's such a worthy feature.


TV.
Parabasis looks back on Season 1 Buffy, and the balance between stand-alone vs. serial stories.
blastr Frank Darabont fires the writing staff of The Walking Dead. Weird way to celebrate the first season of a huge hit, right? (Not that I think it's very well written what with the paucity of interesting characters.)

Have you seen this making of preview of HBO's Game of Thrones? As stated before, I think it's an ideal property for television as it's so sprawling in scope, longform in plotting and character development and ensemble driven in every way. But I still worry about the sets, costumes and the budget.



I have a real problem with wigs in fantasy movies. Must get over that. They distract me. It's the Storm in X-Men problem. I'm supposed to be seeing hair and I see wig. Gemma Jackson is the production designer (Oscar nominated for Finding Neverland). The costume designer is Michele Clapton who hasn't done anything on this scale previously though she's worked on recent UK television events like The Diary of Anne Frank and The Devil's Whore.

Swan dive? Finally, there seems to be a small but growing contingent of people who are not as impressed with Black Swan as the rest. Will they be burned at the stake in our internet film culture which doesn't value actual discussion so much as the dogpiling of raves and pans as if there is only ever one opinion worth having on any movie? Here are three thoughtful non-rave reviews worth discussing from Bryant Frazer, Nick Davis, Kenneth Turan and Timothy Brayton all of which fall into the "It has it's moments but..." category.

If you'd like more "!!!" instead, since most seem to be feeling that way, try the recent raves from His Eyes Were Watching Movies and Serious Film.